Guys my ride is a few minutes away so I'm going to post this but then I won't have access to your feedback until this afternoon, but I can answer my phone if you want to call me/sms.
Arlene here you go my sweet:
LIFE INSIDE THE MUSIC BOX AIN’T EASY
- Well Regina Spektor it’s a hell smoother ride than living here within the strict confines of the typographic grid, with all its rules and regulation – ‘don’t show emotion/avoid sensation’ - a virtual dictatorship nation. So baby fly from your radio station while I stage a page evasion, and together: a revelation.
For Twenty ten’s ‘revelation’ we’ve worked typography into paying homage to that thing that sounds better with you, it makes the sound of the city disappear, ABBA thanked us for it, the Village People warned us we couldn’t stop it and remember what it did to the bourgoise and the rebels?
MUSIC and typography are a complementary marriage of opposites. Where kerning turns, a yearning note burns. Where plain lowercase fills visual space, its heavy weight plays pure deep bass. And so, what copy cannot express alone, typography brings to life with deafening resonance.
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